The Semiotic Interpretation of Joan Miro’s World of Signs
DOI:
https://doi.org/10.46991/AFA/2014.10.1-2.112Keywords:
semiotics, sign, art, visual language, interpretationAbstract
The following article is devoted to the semiotic interpretation of some paintings by an outstanding Catalonian artist, Joan Miro. Here an attempt is made to concentrate on the symbolic objects, the colours and the whole mood of Miro’s paintings, as well as to the emotional state of the artist himself, his descriptions of his art to bring out the link between linguistic and artistic signs.
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Published
2014-10-15
How to Cite
Matevosyan, A., & Hovakimian, N. (2014). The Semiotic Interpretation of Joan Miro’s World of Signs. Armenian Folia Anglistika, 10(1-2 (12), 112–120. https://doi.org/10.46991/AFA/2014.10.1-2.112
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Section
Culture Studies
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Copyright (c) 2014 Armenian Folia Anglistika
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.